Pellicola negativa a colori dubblefilm JELLY 200 (pellicola in rullo 35 mm, 36 pose)

I wasn't sure what to expect from a film with unpredictable color shifts, but the mix of tones it added to my outdoor shots gave everything a dreamy, slightly retro feel that I couldn't replicate digitally. Even the boring shots of my street came out looking like they belonged in a zine, and the 36

I shot a whole roll of this at a carnival at dusk and every frame came back with this soft, dreamy pastel shift that felt like a memory. The ISO 200 speed handled the mix of neon lights and fading daylight better than I expected. Definitely one of those films where the unpredictability is the whole

The colors on this JELLY film are unlike anything I've shot before—each frame has this unpredictable, dreamy quality that makes scanning negatives feel like opening a present. It handled the overcast afternoon light surprisingly well for an ISO 200 stock.