Fujifilm Neopan Acros 100II 120

For a 120 roll, the tonal separation on faces and skies is just stunning—that three-dimensional gradation really sets it apart from other black-and-white stocks I've shot. Grain is practically invisible even at 100 speed. It's become my go-to for portrait sessions when I want that ultra-clean, class

The grain structure on this 120 roll is incredibly fine, giving my medium format shots a smooth, almost digital-like clarity. I've been using it for landscape work and the three-dimensional gradation really makes the shadows pop. Definitely my new go-to for black and white.

The tonal range on this 120 roll is incredible—even flat light gives me rich blacks and clean whites. Just developed my first batch and the grain is practically invisible.